Now that’s more like it.
4) Zoro vs Mr. 1
- Roanoa Zoro. Luffy’s first and most dangerous crew member (after Luffy himself, anyway), Zoro is a taciturn warrior whose dream is to become the world’s greatest swordsman– and of course traveling with Luffy has given him no shortage of opportunities to practice. Yes, his name is Zoro, like the Spanish hero. Voiced by Kazuya Nakai.
- Powers/weapons/abilities: Zoro has exaggerated strength and agility, but he fights almost exclusively using his three katanas. A practitioner of what he calls “Santoryouu” (“Three-Sword”) style swordsmanship, the amount of blades he is using at any given time will vary depending on the situation, but optimally he uses all three at once: one in each hand and the third in his mouth. Such is the glory of One Piece that an idea so absurd can actually work on-screen. All three of Zoro’s swords are considered to be “special” in some way, but the most valuable and powerful is white-handled Wado Ichimonji sword, an heirloom from his dead friend and the one he favors most (and frequently puts in his mouth).
- Mr. 1 (real name Daz Bones), one of the most powerful Baroque Works agents. Not as actively cruel as many of his compatriots, he’s still a ruthless killer. Voiced by Tetsu Inada.
- Powers/weapons/abilities: Daz Bones consumed a Devil’s Fruit which makes him able to turn any part of himself into blades at will, and effectively makes his body into organic-looking steel; think of him as sort of a cross between the T-1000 and Colossus. Naturally, this makes him very hard to hurt.
The Setup: We actually see the beginning of this confrontation during a brief cutaway from Sanji’s fight. The #1 team is pursuing Nami and Zoro arrives just in time to save her. The two face off, leaving Nami and Miss Doublefinger to tangle elsewhere.
Zoro soon recognizes the nature of Bones’ power. Mr. 1, meanwhile, deduces that Zoro is the swordsman who defeated 100 of Baroque Works’ lower-ranking members recently, and also killed the previous Mr. 7 several years ago, when the agent tried to recruit him. Cool as ever, Zoro smiles and asks, “You wanna try to recruit me, too?”
Thus begins the perfect matchup: an aspiring swordsman against someone who’s effectively a living sword.
The Fight: The combat here is unusual even when neither opponent is pulling off fancy moves– it’s just so strange to see swordplay deflected by limbs.
After some initial clashing and more trash talk, Zoro dons his trademark bandanna and bites down on sword #3. He uses his Bull Horn attack charge immediately…
… but the strikes doesn’t even faze Mr. 1, who simply closes his eyes and hunkers down. Zoro lands on the other side of him, and realizes that what he’s seen about the villain’s Devil Fruit power is true: his body (or at least his skin) truly is steel. He muses out loud about how if he can’t cut steel, then he can’t cut Mr. 1. Smiling cockily, he actively relishes the challenge: he’ll just have to figure out how to cut steel. He even pities Mr. 1 for being the poor bastard Zoro’s new skill will be tested on. Daz Bones is dubious, as no swordsman has ever been able to cut him before. Zoro’s reply: “You’ve never met me before.”
Zoro’s pretty freaking cool, you guys.
Though they have somewhat similar powers (most Baroque Works teams are built around a theme), pound-for-pound, Mr. 1 is far more deadly and interesting than Miss Doublefinger. Zoro is sometimes able to keep him on his toes, but often it’s about all he can do just to keep up. After all, how do you keep up the offensive against someone whose skin is so impenetrable he barely even needs to defend himself?
Zoro manages it intermittently through aggression, creativity and the relentlessness of his attacks. A perhaps sounder method might have involved wearing down Bones with blunt force rather than cutting or stabbing (the one time Mr. 1 visibly registers pain is when he’s kicked in the gut), but that’s not Zoro’s specialty and more importantly, it’s not his way– if he can’t do the job with his swords, he won’t do it at all.
The swordsman tries a combination of special moves at first– a “Demon Slash” maneuver which knocks Bones down, and a “Tiger Hunt” attack from above while he’s still falling– but despite Zoro’s visible exertion, Mr. 1 is only knocked back by the force of the attacks, and arises without a scratch. He counters with a series of moves Zoro barely avoids, and when he’s pressed against a wall, Mr. 1 hits him with an air-cutting technique. Zoro resists the force of the attack itself, but the power of the slashes damage the buildings behind him so greatly, they all collapse and Mr. 1 shoves him into the path of the debris.
Seemingly trapped under a building, Zoro thinks to himself how this is the worst predicament he’s been in so far (it would be for me, too), and has an obligatory flashback to an element of his childhood, training with his sensei. Conveniently, little Zoro had once asked his teacher how it would be possible for a man to cut steel, and the elder responded by slashing at a thin piece of paper and not cutting it, despite hitting it dead on. He explains that true mastery entails being able to cut what you choose to and not harm what you don’t; a sword that simply cuts everything it touches is inferior. Whoa.
Still not quite getting the lesson, adult Zoro is nonetheless energized to keep fighting. He pulls himself from the rubble, picks up the house he’d been trapped under, and THROWS it at Mr. 1.
Undaunted, Bones uses an even stronger air-cutting technique and slashes the house to bits before it hits him. Zoro charges through the debris and renews his attack, pulling a few nifty moves but again failing to make a dent with his brute strength. Stoic as ever, he simply tells Mr. 1 “you’re beginning to piss me off.”
The feeling is apparently mutual, because the assassin finally decides to break out the big guns, so to speak, and reveals he can make more than just simple blades. For instance, he can turn his forearms into buzzsaws:
The spinning blades nearly break Zoro’s own katanas, and when he tries to evade without them, it isn’t enough. Mr. 1 lightly slashes Zoro’s chest with one glancing blow, and hits him with another directly to the torso.
Incredibly, Zoro survives, but the hit slams him back into a pillar and he drops all three of his swords. Unarmed and bleeding badly, he tries to stand and face Daz Bones again. The villain is mildly curious about Zoro’s resolve to keep fighting, but Zoro says he wouldn’t understand. Mr. 1 agrees and hits the swordsman with a devastating attack that slices Zoro’s chest even further, and travels through the air to the pillar behind him, bringing the whole thing down.
It seems like it’s over, but again Zoro has miraculously survived. He thinks to himself about Luffy’s last order for them all to meet back up at Vivi’s palace, and wonders if any of his crew have even survived. He sees that he’s standing in the one rubble-free portion of the collapsed pillar, and realizes that he didn’t dodge the falling debris– he instinctively moved to where he knew they wouldn’t fall. Just as he can instinctively sense the location of his Wado Ichimonji, under a nearby piece of stone.
Retrieving it, Zoro ponders that now, on the edge of death, he has reached a state of heightened awareness, where he can sense “the breath of all things”: rocks, ground, air, even steel. (Amusingly, his inner monologue drowns out the dumbfounded verbal reaction from Mr. 1.) He thinks that this awareness might be the key to cutting only what he chooses, and tests it by first swinging harmlessly at the fronds of a palm tree, then casually slicing a chunk of stone pillar in half.
Ready for one last effort, Zoro levels his blade at Daz Bones, then sheathes it to prepare for a quick-drawing slash. Mr. 1 lunges in with another attack, but the camera cuts away to a cliched shot of birds flying. When we come back….
Zoro calmly re-sheathes his katana, smiling confidently over the victory he already knew was his. Mr. 1 begins collapsing in a pool of blood, and asks Zoro if his next challenge will be to try cutting diamond, but the hero says that would be wasteful– he is a pirate, after all. Smiling ruefully and cursing softly, Daz Bones accepts his defeat like a man.
The victor takes a well-earned rest and removes his bandanna, having become a man who can cut steel.
This is a much better return to form, and a lot more fun to boot. In addition to the aforementioned novelty of animating a fight of sword against sword-like flesh, there was also a narrative challenge: how do you make the fight interesting if Zoro can’t hurt his opponent until the very end?
They somehow managed it, and without succumbing to the silly running around & theatrics of Nami’s similar predicament. In-between all the times he nearly gets killed, Zoro manages to take the fight to his foe fairly effectively, even if he never truly gets him on the ropes. In the end, he wins not through physical strength but from accumulated wisdom, even if it’s achieved via a cliched flashback and tactically questionable advice. The staging works well too: in addition to all the wild, named move-sets, the two have their fair share of complicated up-close maneuvers and rapid-fire back & forths. (A dirty little secret about the latter is that anime shows often save time by looping the same handful of frames over & over, so quickly that you probably don’t notice unless you’re, say, freeze-framing the action to get cool screen grabs for your blog.)
Probably the biggest flaw is the extent of Zoro’s injuries– the second blow from Bones’ buzzsaw arms ought to have been enough to kill him outright, let alone how he survived a point-blank “Spar Break” attack directly after. Again, it defies believability even under the circumstances, and relentlessly punishing the hero just before his last-second victory is a bit tired.
All in all, a worthy end to all the warm-up matches, before we approach the main course.
Coming Attractions: It’s a bird! It’s a plane! No, it’s a man!