Sometimes the toughest guys are the ones you least expect.
4) Fronsac vs Gypsies
- Gregoire de Fronsac, brilliant scientist and, apparently, a high-level asskicker. As with Mani, Fronsac’s martial arts abilities are never explained or addressed in any way, but unlike with Mani, Fronsac’s skills don’t pop until about the final third of the story. This actually works to the film’s credit: the audience had been misled into assuming that the Fronsac/Mani team was your classic Brain & Brawns pairing, but as it turns out, the brain has brawn to spare. That the movie doesn’t revel in or overly explain this delightful little surprise only helps even more. Played by Samuel Le Bihan.
- Armed with: A very simple but mean-looking long knife, and a bow & arrow.
- The gypsies, again. I’m guessing that real-life gypsies were so offended by their portrayal in this movie they put a curse on Christophe Gans so he’d never make a good movie again.
- Armed with: Their hook claws and a few other stabbing implements.
The Setup: Fronsac spent an unknown amount of time tearfully cleaning Mani’s body and examining his wounds, at one point uncovering a silver bullet. Once the initial grieving period is over, he plots out (using the locations of previous Beast attacks, the place where he had his encounter with it, and the place he found Mani’s body) where he guesses the villains to be: a hunting lodge deep in the woods. He exchanges his more traditional European outfit for some Goin’ To War clothes, applies some camouflage face paint, and sets out to get his kill on. Note that this is all on the same night that the guy had a close encounter with an armored super-lion and later found his best friend dead.
Gotta admit Fronsac strikes a pretty imposing profile, creeping through the woods like a bow-wielding Solid Snake.
The Fight: Fronsac is mad as hell, but still pretty tactically sound. First scoping out the lodge and finding that the gypsies are all inside having a party (presumably celebrating how awesome they are for killing a guy they outnumbered twelve to one and STILL had to shoot in the back) and noting that one has stolen Mani’s special bracelet, Gregoire decides to create a distraction.
He approaches the nearby stable full of horses and fires a few flaming arrows into the structure, causing several gypsies to rush out and try to save the place. Most are too frantic to notice him, but when one does, Fronsac calmly dispatches him in a very dignified manner.
He gives a similar treatment to the torso of a second unfortunate gypsy, then scurries away from the chaos and sneaks his way into the main building. Now most of the lodge’s occupants are out dealing with the crisis, and even if any of them return it’s not going to be all at once. Fronsac has effectively muted their advantage in numbers.
The hero doesn’t get far in the house before he runs into some confused baddies, and he is not shy about confrontation. He storms through the lodge, encountering his enemies either individually or in pairs, and just delivers them straight to the Reaper– no fuss, no muss. His work is efficient; there is no arrogance or flashiness to his physical skills here, just brutal and unflinching destruction… though he does occasionally take just long enough to prolong each victim’s pain.
And after each kill he calmly & purposefully strides on, grimly searching out the next target. Fronsac is a single-minded engine of merciless anger. He’s on a Rip Roarin’ Rampage of Revenge.
Fronsac’s knife (given its crude design it’s probably one of Mani’s) gets a lot of play here as he slices, stabs & chops his enemies down. Late in the fight he throws the blade across the room to pin one escaping villain (the only one who was sensible enough to try to run after seeing an enraged knight at the end of a trail of corpses) to the wall, through his neck. Another he flips over bodily, so hard the chump goes crashing right through the floorboards.
And in my favorite kill, Fronsac seizes one attacker (defender?) and slams him against alternating sides of the narrow hallway– one, two, three, FOUR times– before chopping away at his collarbone with the knife and then slamming his head right through the opposite wall. Then he delivers a spinning jump kick that pushes the guy even farther into the wall.
While he kills & kills, Fronsac descends ever deeper into the lodge, discovering multiple hidden copies of the cult’s treasonous books. As he pulls the knife out of the aforementioned skewered guy, he looks in the mirror to find that his would-be sneak attacker is none other than (of course) La Bavarde, whom he only delivers a strong backhand to, inexplicably deciding to just leave her stunned on the ground for a few minutes rather than coughing in a pool of her own bitch blood. If only he’d known how much of a role this French Snooki had played in Mani’s demise.
Soon enough the bad guys stop coming. Sniffing out some secret passages, Fronsac finds first the master villain’s personal chambers, and then the catacombs where the Beast resides. He even takes a moment at the torture implement (a St. Andrew’s cross) where Mani spent his final minutes. Visibly shaken, Fronsac then gets rushed by a lone gypsy, but he quickly turns the tables and runs the baddie through with a spear he found, pinning him up against that very same cross and leaving him there.
Gregoire then hears the gypsies coming back in force, and retreats, leaving quite a mess in his wake– eleven dead or presumed as such, plus the girl. To be continued.
This is ridiculously awesome. We feel Fronsac’s righteous rage and are whooping & hollering as he delivers ugly payback. The aforementioned added surprise of Fronsac’s is a pleasant one, and brings an added “wow” factor to the proceedings. Choreographer Phillip Kwok deserves extra credit for staging violence that’s not very flashy but still memorably brutal. Gans wisely pulls back the music for the main action portion and lets the beatdowns speak for themselves.
There’s a crazy, determined energy to this whole sequence and it works like gangbusters. It’s pretty much every guy’s fantasy, and unabashedly so: “If I were pissed off enough, I could kick ass through a whole platoon of guys, no problem!”
The plot still has a few wild left turns to take but this scene has already begun to propel the movie towards its big climax. As a bonus, here’s another angle on the arrow/head guy:
Coming Attractions: BOSS FIGHT!